The camera can capture communities and situations for posterity, it also allows you to step back, reflect and comment.The course is very hands on, although we do touch on the theoretical parts of documentary photography. Much of the time you’ll find yourself out shooting single assignments, off to museums and exhibitions, as well as going through your work with the tutor and your fellow students in the computer room (we work in Adobe Photoshop – there will be a short introduction, so no need to know these programs before)…
You can see all upcoming courses here.
The prints are back home and as you can see they are not receiving nearly the same amount of attention as earlier…
The Photographers’ Gallery was the first independent gallery in Britain devoted to photography and today it is the largest public gallery in London dedicated to photography.
I love the big rooms, natural light and the central location (right next to Oxford Circus) of the gallery. Furthermore they have a quite remarkable book, print and photo brick-a-brack shop in the basement with some real gems. I recently stumbled upon a book signing by Deutsche Börse Photography Prize 2012 shortlist Rinko Kawauchi and acquired her book ‘ILLUMINANCE‘. Beautiful work!
It was a very strong group of photographers exhibited and genres going off in all directions. One of my favorites were Paula Gortázar’s ‘Common Space’ that ‘depicts the interiors of the European Parliament in
Brussels and Strasbourg, an institution which, despite being little understood
or liked by many citizens, is gaining a prominent role in legislating our
everyday European living circumstances.’ (From the website)
Another excellent piece of work was Nadège Mériau’s makro photography recreating cosmos. Wow!
My good friend and fellow photographer Steve Mepsted dropped by the gallery, snapped these two shots and later retold the whole scene to me…
‘There were a group of kids with their teacher and they were looking at the painted mural image and one boy was saying ‘I swear that’s Photoshop’. The teacher said they didn’t know as the artist wasn’t there. I was able to fill them in on details!! They were delighted and amazed at the image and the boy couldn’t believe it was a painting on such a scale – ‘Shows they’ve got power’ he said!’
Just amazing getting this kind of invaluable feedback!
This has been a great experience and I’m truly thankful that I’ve been a part of it. The staff at The Photographers Gallery have done a great job in pulling this together and especially curator Karen McQuaid for getting it all to run smoothly while having to deal with 22 photographers at the same time, not an easy job I would imagine!
I’m now in touch with a range of galleries, working on getting a solo show up and running while I’m preparing for the next leg of this story that includes a trip to Jordan in the near future. More on this next time.
I’ve been back to see Jeff.
As you can see earlier in this blog, Reverent Jeff Yelland is an Associate Minister of St Paul’s Church in Dorking, Surrey.
I still haven’t found out which direction this story is going. I just know that there’s strong pictures and a even stronger story hidden in there somewhere. Wont get in to writing too much about it right now, better save that for my “Aha-moment”
Ideas are welcome!
How do you define a relationship? What is a relationship? First thought was mother and child, employer – employee, man and woman, man and man… Suddenly the list is endless. People interact with each other every moment of every single day. Even when we’re not together, we interact! But how to capture this in pictures! This single most important human feature, the meeting of two individuals.
I wanted something that had more soul than an office, but at the same time I was attracted to the idea of a workplace. I chose a church. I see priests as people working with and in faith, with and within the soul. Perfect for the assignment and perfect for me personally. Having been brought up without religion, the church and the people within (which of course are the church) always interested me. What was it that made the church? What was it that people claiming god in their heart found there? Is there still a room for the church in our time? Luckily, I’m surrounded by good and generous people and within a day I had a contact. I met with Reverend Jeff Yelland from St. Paul’s church in Dorking and started working right away.
This is an ongoing project, and I’m going back this weekend to shoot some more. I hope to be able to convert this one from a single assignment in to a major project. This is the intro:
The Christian faith that used to be so strong within its many followers seems to be declining in recent years. Today most of the British population know the outside of the church better than the inside. This is not the case with St. Paul’s Church in Dorking. With a congregation of 350 people, which includes 100 children, this church is full almost every Sunday. Come in and meet Reverent Jeff Yellard and see the work of a modern day Vicar.
This week is all about street photography.
After collecting inspiration from masters as Bruce Gilden and Henri Cartier-Bresson and especially their extremely different approaches to the subject, there was not much else to do than to go out guns blazing!
I always hate the first hour out shooting. I’m tense and often too worked up to see what is going on around me. After that hour (and a lot of failed shots) I start to relax, steady my pace and finally open up my eyes. I stop feeling as afraid of people and their reaction to me photographing.
At the best of times I can almost see myself being detached from the street and watch it from the outside, as a scene in a play.
Well, this time I did two shoots each one an hour long, so not much theatre here. The first one was a night shoot in the midst of the chaos on Oxford Street. Second one (the last two pictures in the set) was a day shot around Borough Market.
So the first month, first week and first assignment.
We where told to go find a “Person at work” and find their inner passion or lack of same. I think I found something altogether different.
Bearing in mind that I did two professions, about 4-500 shots of each, edited 80, liked 20 and ended up with four (!) pictures for the blog, you can say that I went through a process.
After showing the 80 edited pictures to my group it was clear that the classic shots didn’t really tickle me pink. It came down to the dark and spooky, underexposed, unsharp pictures…. As usual.
Even though Ruth from “Taking the Leash” was the nicest person and had an amazing contact with the dogs and their owners, I must share these pictures with the world.
Here we go, The Dog Gulag…
Back in London. Four months has gone by since I last made my way through the morning Tube rush. Back then we where going on a journey, this time as well.
This next year I’ll be studying a Masters in Photojournalism and Documentary Photography at London College of Communication. I hope this Masters can help me to find my focus through my photography.
In the daily news rush there’s not much time for absorption. I think it’s crucial for our profession as
photojournalists and documentary photographers, that we take the time to understand the background for the stories we are reporting as well as taking the time to get the pictures needed to tell the story properly. If we don’t do this, we can’t demand that our audience should show any interest and appreciation.
I see my camera as a tool to reach out and touch people. Show them what other people are like and what kind of life they wake up to in the morning. I also see my camera as a tool to show people who I am.
I think it’s hard to find the balance between my professional and my personal photography. Luckily it seems that these two are slowly becoming one.
It seems to me that I’m moving away from the classic photojournalistic news picture and into a world of feelings more than explanations. This to me is very interesting.
I will use this forum as a plaza of experiments.
Looking forward to see where it goes.